Revisiting the Hermeneutic Project of the Fragment in its Exigency for a Digital Paradigm of Publication
A century ago, Walter Benjamin defined the mode of production of scholarly books as “an outdated mediation between two different filing systems”—the card index of the researcher who wrote it and that of the scholar studying it.The discursive mediation of the codex, in his opinion, no longer created any significant value, “for everything tha